Chris Foss (1946), illustrator and painter.
Chris Foss is a British illustrator and a powerhouse of science fiction design and invention. His work is a celebration of future machinery, impossibly sized constructions exist on a planetary scale; a showcase of hardware so large that the human figure is dwarfed by comparison.
Arriving in the SF illustration field in the early 1970s, he is a cult figure, influential and universally admired. For British SF and SF art, his work can be seen as a catalyst; his prolific output was used abundantly in the UK paperback market, particularly by publishing houses like Panther, Coronet (Hodder & Stoughton) and Granada. Foss’ iconic paintings adorned the covers of American classics; E. E. Smith’s Lensman and Family d’Alembert series, reprints of the works of Asimov, James Blish and Philip K. Dick. These colourful scenes of gargantuan spacecraft, space-scenes and enormous robots not only influenced an entire school of imitators, but instilled a love of future-tech amongst several generations of science fiction fans.
However, unlike the majority of his contemporaries, Foss is not a fan of SF, and as such did not read the books his was commissioned to illustrate jackets for. Scenes are rendered entirely from the imagination and as such do not illustrate scenes found inside novels. In this sense they can be seen as vague, or meaningless abstraction – but serve the purpose of creating interest in the books they appear on very well. The attraction is the technology; art for art’s sake.